ALL THIS TIME

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Nina Sarnelle

Nina Sarnelle is an artist and musician living in Los Angeles. These are 3 items from her ongoing archive of password-protected wifi networks — a low-bandwidth rumination on territory, access & performativity.

alexandra box

a pot that cannot be separated from its desire for fire and a poem that cannot be separated from its date

Beginning with dreams and language circulating around the dream world, Alexandra Box works with poetry and sculpture to engage with both the material world and the unconscious mind. Her primary material source being clay, she calls upon the history of craft within her own work. The rendering of the very clay is in dialogue with her interest in mystic traditions and economy of means. Alexandra’s work offers a crude approach to form, playing with utility in its most abstracted and convoluted use. Sometimes this results in objects that offer both real and imagined participation. A recent graduate from Emily Carr University of Art + Design, Alexandra is now living in various rural communities, primarily residing on land that was stolen from the of the Oneida Nation of the Thames

liam johnstone

Liam Johnstone is a visual artist who considers their artistic practice an opportunity to think through the notion of communication being a Fundamental Force and the play on systems of logic which inhabit the observable or speculative. Their life is currently based on unceded Coast Salish territories, including the Musqeuam, Squamish, and Tsleil-Waututh nations.

KAI choufour

Time is a drug we can't kick cause we think about when
we were young now we're not but in our heads we stay the same
everybody has a way to make it feel like it’s real
every day and every night we have a dream and it would seem
that we are what we have been
everyone needs a hit
a memory on a stick
a memory
plug it in
plug me in
make a friend on a machine
septic boy
septic age
getting killed by our new toys

Eric Tkaczyk

Eric Tkaczyk is a visual artist currently situated on the unceded territories of the Squamish, Musqueam, and Tsleil-Watuth First Nations. His practices employs spaces of real and unreal by navigating the performative abilities of the body through actions of fragmentation and dissolution. The body subsequently becomes a site for navigating a queer identity in a world embedded with body images.

M.E. Sparks

M.E. Sparks is an artist currently living between Vancouver, BC on unceded Coast Salish territories and Halifax, NS on unceded territory of the Mi’kmaq People. She holds an MFA from Emily Carr University and BFA from NSCAD University. M.E.’s practice revolves around ideas of observation and obfuscation, as well as the desire to reconfigure familiarized and oppressive narratives within painting history. During recent months of self-isolation, she is discovering a slower pace of watching, listening, and moving through her surroundings.

Brigitte Patenaude

Without many events coming up, I’ve been looking ahead in my calendar and making and mailing or delivering cards for upcoming birthdays.

Tiny cards, accordion cards, assorted-tea-bags-along-with-card cards, etc.

I get their address in secrecy and shake the Canada Post dice, in hopes that it arrives as close to their birthday as possible.

Brigitte Patenaude is an interdisciplinary artist working with photography, sculpture, installation, and performance. Born in Ottawa, ON, she is currently living in Vancouver, BC. Through isolation, fragmentation, and an affinity for detail, everyday objects and materials, her work recontextualizes personal and domestic spaces and specific moments from the photographic image. She obtained a 1-year certificate in both Motion Picture Arts and Documentary Filmmaking at Capilano University and received a BFA from Emily Carr University of Art + Design in Photography.

Nellie Stark

With this new-found free time I thought I'd get over my fear of using a sewing machine so I made this one panel reversible top, which seemed like it would be easy, but it was still hard. Turns out I have endless patience for intricate embroidery, but none for using a machine to sew a straight line.

Nellie Stark loves to cook and make special desserts for you. She is currently residing in Oakland, CA.

doenja oogjes

At the start of the pandemic I signed up for an online 14-day watercolour bootcamp. As a design researcher, I do not consider painting as part of my practice, but now seemed as good a time as any to re-invest in watery colours and boggy brushes. There was something very calming in routinely creating these shapes in those first two, very strange weeks.

Doenja Oogjes is a PhD student at SFU’s Everyday Design Studio. Her research explores indirect ways technologies mediate the everyday, using speculative design. Doenja holds a BSc and MSc in Industrial Design from the Eindhoven University of Technology, The Netherlands. Prior to joining the Everyday Design Studio, she worked as a research assistant at the Interactive Institute, Sweden.

Yujin Kim

During the pandemic I made some homemade dumplings. The process of making them is quite therapeutic and gives me a sense of home; this is especially comforting given that I grew up in Korea, where my family still lives.

Yujin Kim is from Incheon, S.Korea. She's been living in Vancouver since 2014 and plans to stay a little more. Yujin did a little bit of Jewellery Design and is now studying Graphic Design. She likes reading and watching documentaries in her free time, as well as cooking.

alex gibson

At the beginning of quarantine I put together a little digital care package, which I sent to close friends as a way to connect and share during isolation. The document includes links to movies, digital exhibitions, among other things.

digital care package

Alex Gibson is a Barbadian artist based in Vancouver, BC, as a guest on the unceded territories of the Tsleil-Waututh, Musqueam, and Squamish First Nations. They are interested in investigating queer sentiments in relation to their Caribbean background, and through the exploration of gender and identity, their practice seeks to reveal new realities of queer Caribbean potentials. Gibson’s works have been exhibited at Tomato Mouse, New York; CBC Arts, Canada; WAAP, Vancouver.

avery hannig

Avery Hannig is a Vancouver based visual artist and cofounder of the Open Source Arts curatorial project. He completed a BFA in Photography at Emily Carr University of Art + Design in 2019. His works have been featured in the Capture Photography Festival, Vancouver Art Book Fair and on the Mt. Pleasant Community Art Screen.

Leslie Leong

During this lock down I recorded the melting of permafrost as research/exploration for a project about climate change. My aim is to show how little solid matter is under many communities in the circumpolar world — meaning whole communities will just slump into the ocean as the arctic warms. And this is just one consequence of climate change.

Originally, there was 485 pounds of permafrost from Tuktoyuktuk, NWT, at the edge of the Arctic Ocean. I moved it to my front yard on March 17th and melted it outside the bay window as the temperatures rose above zero. It took about a month to melt away, as temperatures were cold in March and early April. The melted permafrost left behind about 2 cups of solid matter, mostly organics.

Leslie Leong uses her practice to tackle global issues and ask hard questions. With a tenacious curiosity, a desire for new ideas, and a deep commitment to ecological health, sustainability and social justice, she is able to focus on detail without losing sight of the big picture. Raised in BC, Leslie had a short career in engineering. A mountaineering trip to Baffin Island triggered 25 years of living north of 60. She has exhibited internationally, and has taught in the Northwest Territories and Yukon. Her work can be found in public and private collections in Canada, USA, Germany, UK and Australia.

jane cheng + Yifan Jiang

Yifan and I did a night of anime drawing via Skype. We redrew the main characters from Sailor Moon and JoJo's Bizarre Adventure, and switched up their hairstyles so they looked more like us. BUT THEN, Yifan suggested we go all the way, so we decided to do the whole Bingle Studio crew! I did the "Sailor Bingle" and Yifan did the "Jojo Bingles." (Bingle is a studio collective, whose current members are Jane Cheng, Diana Hanitzsch, Mitch Kentworthy, Julie Mills, Nick Morrison, Marika Vandekraats, Randi Weaver and Kiyoshi Whitley.)

Jane Cheng's practice uses the frameworks of pre-existing practices of artists as an entry point for research and guidance. Often, this requires collaborative methods and studies that may lead to new perspectives. The work becomes a way to deconstruct and simultaneously expand on the mythological aspects of art, authorship, and to highlight forgotten narratives.

Born in Tianjin, China (b.1994) and based in Vancouver, Canada, Yifan Jiang is a project-based artist that uses elements of painting, animation, sculpture, and performance. By taking an irreverent approach to epistemology, Yifan's practice explores the grey intersections between the scientific, the psychological, and the magical.

Quintin Teszeri

Cutting My Kid’s Hair for the First Time: A GIF comprised of photos taken during the process to show him what his hair looked like.

Quintin Teszeri is an artist-teacher-writer based in Burlington, Ontario. His practice(s) is/are variously process-based, social, found, and poetic. He has an MFA in Visual Arts, MA in Art History, and a forthcoming Master of Teaching in 2021.

laura lindsey

Laura Lindsey is a maker and thinker—collecting found objects, interacting with and making from them new forms on unceded, stolen land.

John Padrino

During this lockdown I didn't have access to my studio space anymore, so while sitting at home I was wondering how I was going to keep myself busy. Also at this point people started hoarding toilet-paper which I found quite fascinating, and all of the sudden toilet-paper had such an iconic value. I started making a series of daily drawings on the toilet-paper. I did this for 47 days straight, the exact duration of the lockdown phase in Belgium.

John Padrino's practice involves drawing, painting, sculpting and collecting, which often come together in collage-like installations. He is interested in the relationship between thinking and the act of doing. Thinking often means doubting about the act or postponing the act. On the other hand, thinking is necessary; one has to think about what they are doing, but this obstructs the act at the same time. Padrino is particularly focused on elements of consumer behaviour and popular culture. In his work you’ll find traces of goods from everyday life — from the latest Nike shoes to Jehovah’s Witness advertising flyers and from cigarettes on the pavement to plastic wraps of oranges in the supermarket.

Astrid c. Johansen

A sweater that I altered into a vest for my partner Maria.

Astrid C. Johansen lives and works in Copenhagen where they are completing their MA in English and Social Justice through the University of British Columbia. They work with writing, editing and publishing through their literary collective Alien Press which supports queer, trans* and gender non-conforming voices.

Stephanie Gagne

the best two months of her life compares my productivity with that of others while confined to this local area during the Provincial State of Emergency from March 18 to May 26. Both the foraged notes and my scheduler are evidence of how everyday activities are affected by this collective isolation.

part 1

Part 2

Stephanie Gagne is a Vancouver-based artist. She received a Bachelor of Fine Arts in visual arts from Emily Carr University of Art + Design and a Master of Fine Arts in interdisciplinary studies from Simon Fraser University. Her interests include popular culture, sexuality, neighbourhoods and childhood nostalgia. Stephanie's interdisciplinary projects involve sculpture, photography, drawing and video.

Shyra DeSouza

During this time I have been restricting myself mostly to my own neighbourhood in an effort to avoid public transit, only going to locations that can be reached on foot. I began a sort of challenge to myself to get to know my neighbourhood of Wedding, Berlin by walking every street. I track my path each day and log it onto a map in such a way I can make an animation of my gradual coverage of the neighbourhood. I feel this is a kind of reacquainting myself with the local, and rethinking what it means for my daily experience.

Shyra DeSouza is an interdisciplinary artist originally from Calgary, currently based in Berlin. She attended the Sculpture department at the Alberta College of Art & Design in Calgary, Canada, where she earned her Bachelor’s Degree in Fine Arts with distinction in 2006. Her primary artistic interests lie in unraveling and reorganising the perceptions that characterise contemporary lived experience, utilising strategies and concepts such as: mimetic exacerbation, memento mori, pareidolia, ennui, and implication of the viewer to drive the development of her work. DeSouza’s practice encompasses a broad set of skills and materials, typically resulting in various forms of film, installation, and sculpture. She has screened/exhibited her work across Canada, in the United States, and in Europe. As well as maintaining an artistic studio practice, she has undertaken several volunteer administration and board roles within the Calgary arts community, and has been awarded a number of grants and residencies.

nick morrison

Nick Morrison is a practicing artist living in Vancouver, BC. His work explores mixed media approaches to making, drawing and illustration. Nick received a BFA from Emily Carr University of Art + Design in 2016 and can be found delivering mail in East Van.

Nicole Caspillo

The last two months have been an opportunity to take some time to go deeper into conversations with myself; I’ve had the privilege to take a step back and observe what is going around in the world and how I may best serve society. I’ve never really integrated painting in my life up until recently.

Nicole Caspillo is a self-taught artist, DJ, pastry chef, and Expressive Arts Therapist.

Matthis Grunsky

I planted a few varieties of hot pepper in mid April. The seedlings have just been re-potted In these pictures, and are set to extend their roots into their fancy new pots. I've always enjoyed gardening, but there is a certain allure to growing hot peppers. It has something to do with the way I equate heat with value. When faced with the decision between two otherwise indistinguishable options on a menu, I will always choose the one with the spicy pepper asterisk. Maybe I've developed an addiction. I've read that the capsaicin in hot peppers triggers the release of endorphins when it bonds with pain receptors in your mucus membranes. Over time, your brain starts caring more about keeping the dopamine flowing than the pain that causes its release. I don't think I'll have any peppers to sample for a while through. For now, I've just been observing the seedlings grow. Everyday there's a little progress: a new leaf, a darker green, a woodier stem. The thing that really fascinates me, though, is that despite looking more or less the same (as far as I can tell) as the seedlings of any other vegetable, these ones “know” how to produce such a potent chemical. I'm hoping that the typically less-than-hot Halifax June will give my peppers at least a few days of full sun.

Matthis Grunsky is an artist from Halifax, NS, currently based in Vancouver, BC. His current research explores the ways in which computational technologies are reshaping the production and consumption of art. He also enjoys throwing rocks into bodies of water and eating thoughtfully assembled sandwiches.

daryn wright

During the COVID-19 pandemic, I made several hand-built clay cakes. These falsified cake slices are intended to replicate the domestic labour of generations of women in my family, and are part of a larger project I've been working on — an investigation of a personal and familial history of loss, mental illness, and obscured cultural heritage. These fake cakes were “baked” not for celebratory purposes, but rather the opposite — as a reminder of the monotonous and cyclical tasks that women undertake in the domestic sphere. They were created during a time of extreme duress, when a global pandemic forced us all to stay inside our homes for the health and safety of others. The baking of a cake in this circumstance, real or not, signalled a sort of resistance against the bleak reality we were all enduring — we would bake cakes and celebrate nothing at all other than the fact that we were still here.

Daryn Wright is a writer and artist based in Vancouver, BC. Her work involves the reproductions and re-enactment of archival material, through the use of photography, painting, sculptural reconstructions, miniatures, dioramas, foodstuffs, and dress.

Diana Hanitzsch

Learning a programming language is learning to give commands. During the past months I have been wondering if my current desire to master Python is a result of obeying health authorities and following their orders and instructions. Are these strict and rigid commands leaving room for unsupervised learning? Who is writing the code and could we end up in an infinite loop? Ultimately handwritten Python commands on paper are rendered utterly useless for the recipient, the machine, and therefore won’t be followed. I hope for a second that programming is not just about me controlling and profiting from an interaction. Instead I’m dreaming the machine and I could interact in a meaningful, maybe even friendly way contemplating both of our possible intentions.

Diana Hanitzsch is a multidisciplinary artist based in Vancouver, BC. Her work helps her to think about psychological states and human relationships, focusing on power dynamics, perception and weight. It is her goal to break down our instinctive patterns into expressions in sculpture, painting and performance. Currently she is developing a distinct methodology of visual tools to use in combination with technology and data science.

meichen waxer

In my jobless isolation this has been my crowning glory — making mushroom cupcakes for my nephew.

Meichen Waxer is a queer visual artist, curator and arts worker based in Tkaronto, commonly known as Toronto, and traditional lands of the Mississaugas of the Credit, the Anishinaabe, the Chippewa, the Haudenosaunee and the Wendat peoples. Meichen holds a Masters of Fine Arts from Emily Carr University of Art + Design, as well as a Bachelor of Fine Arts from the Ontario College of Art and Design University. Meichen was recently an artist in residence at Treignac Projet, France; Anvil Centre, New Westminster and Halka Sanat, Istanbul, Turkey as well as Turkish Cultural Foundation Fellow. Recent exhibitions include CSA Space, Vancouver, Canada; Mr. Lee’s Shed, Vancouver, Canada; #3 Gallery, Vancouver, Canada; Charles H. Scott Gallery, Vancouver, Canada; halka sanat projesi, Istanbul, Turkey; Open Studio, Toronto, Canada; and The Ministry of Casual Living, Victoria, Canada.

marika vandekraats

In isolation — as a distraction and as a way of benefiting from all the time at my hands — I focussed my efforts on improving my Dutch through Duolingo. The sometimes overly aggressive owl mascot of the app would be my biggest source of conversation in the day, making me repeat back words that seemed to know more about my personal life than many others.

Ik heb niemand om van te houden!
I have nobody to love!

As a way of learning how to use the language for myself, I started making collages on photoshop, compiling images from my phone (old and new) and fixing Dutch words on the scene —an attempt to translate a feeling that the images could conjure as well.

Marika Vandekraats (b. 1994) is an artist currently based in her home city of Vancouver, BC. She previously lived in Rotterdam, NL, where she began experimentation into performances and site-specific based work. Her work focuses on how care and interaction is revealed through material uses, and how we are able extend ourselves through objects to form bonds with inanimate beings that reach beyond our bodies. Through this research, she elevates constructed objects to a place of performativity, where the potentials of the medium are highlighted and given a sense of autonomy.

Trish malcomess

It is interesting that corona means a white circle or set of concentric circles of light seen around a luminous body. With this in mind during this surreal season of isolation and changing paradigms, walking with my camera has kept me building resilience as a survivor. I began witnessing an unparalleled outpouring of creativity connecting humanity despite social-distancing. Minimalist sculptures being erected. Signs and symbols appearing, children’s hope tossed in random places, something new every day. In the midst of this dawning of the corona epoch, I feel privileged to experience this phenomena while documenting the unfolding of the core of humanity.

Trish Malcomess lives in the Comox Valley where her practice is inspired and informed by the natural environment found on Vancouver Island. Her concern for the human condition is often reflected in her interdisciplinary work, blurring boundaries between sculpture, ceramics, drawing, photography, painting and writing. She is interested in people and finds inspiration in the resilience of human nature. As an Interdisciplinary artist and horticulturist she has been exhibiting her work in South Africa and Canada since 1977. Trish studied Fine Arts through East London School of Art, South Africa Arts, North Island College in Courtenay and graduated with a BFA through Emily Carr University of Art + Design.

Brenda Wisniowski

Brenda Wisniowski is a graphic designer working in Vancouver, British Columbia. Current personal projects focus on blending her fine art background with emerging playful technologies such as augmented reality, digital illustration, and animation. She received her Bachelor of Design from Emily Carr University of Art + Design in 2016.

Madeleine Keen + Fatemeh Ghayedi

This is a birthday cake my best friend, Fatemeh Ghayedi, and I made for her birthday. It is an olive oil pistachio cake with pistachios that we de-shelled and hand ground. Between the layers are fresh raspberries and coconut buttercream which also covers the entirety of the cake. Ground pistachios and desiccated coconut cover the outside of the cake for a lovely crunch. Finally, to top it off we forged and crystallised some edible flowers to use as a delicate decoration. Growing up, we both spent lots of time learning how to bake from our mothers and they taught us how meaningful a homemade edible creation can be. The time-consuming process of brainstorming flavour ideas to assembling the actual cake definitely made eating it a very special event! Having more free time to focus on more domestic tasks such as baking a cake is a nice change from our regular routines.

Madeleine Keen lives and works in Vancouver where she is studying towards a degree in Integrated Sciences at University of British Columbia. In her spare time she enjoys painting, drawing, walking, baking, and playing the piano.

gloria avgust

A person with a lack of direction is described as “a fly without a head”. Walking aimlessly in the suburbs of the mind, once again caught up in questions of the past. Observe them, flying above the table — each one of them moving in its own cyclical motions. At the moments they cross paths, their trajectory erratically changes.

Gloria Avgust’s interdisciplinary practice is simultaneously non-linear and transformative. By attempting to formally relate to the undetermined footing of temporality, often through coincidence and intuition, she explores principles in which subjects and surroundings inform one another. Avgust willingly immerses herself in ambivalent questions which guides her practice to search for potential meanings, while honouring the narratives around the sensible spaces that inhabit us

Simon Bermeo-Ehmann

The Final Frontier: It occurred to me that the virus is similar to hitting pause. We’ve been forced into an involuntary reflection; what am I doing? do I still have a job? why are minorities disproportionately being affected by the virus? what’s taking her so long in the bathroom? The stills from Star Trek also command your attention, sitting with these images you start to notice the details, a bead of sweat on McCoy’s forehead, a painted backdrop, maybe you think about the cameraman or the person holding the boom. The world is like a movie set, once you hit pause and put it under a microscope things start to fall apart.

Simon Bermeo-Ehmann is a visual artist based in Los Angeles, California. His practice evolved out of a formal education in photography but he’s shifted his attention towards the imposing reach of media; exploring ideas of exchange, sampling and remixing through found objects, video collage and appropriated imagery. His work examines the fate of modern images and sounds as they are shared, edited, flattened, converted and remixed to a point where the original is forgotten completely. Prodding at the concept of decentralisation, his work raises questions of ownership, authenticity and truth in an age where everything is borrowed.

amber pb

Right before the pandemic hit us I moved into a house my partner and I had bought. It needed a lot of work, and the renovations and upgrades that were needed had been taking a real toll on me — leaving little time for my art practice. Being stuck at home day in and day out, these tasks felt less daunting and more meditative and grounding. (The comfort and privileged of having stable housing at a time of crisis, was felt and acknowledged deeply.) A few highlights were: brick laying a path to our front door, making an archway/trellis in the garden for grapes to eventually grow up, potting/reporting house plants and a weekly dance classes/parties with Ryan Heffington over instagram, along with thousands of others that got me out of my head and into my body.

Amber PB is an artist, performer and community organiser, living as an uninvited guest on Treaty 4 territory, (Saskatchewan). She is a co-founder of Swampfest, an annual music and arts festival; programming director at Neutral Ground artist-run centre and an amateur brick layer.

Hanshu Ma

Invitation to a stay-home dinner party.

Hanshu Ma is a freelance artist and grade 12 high school student.

Victoria Furuya

A piece about reminiscence and the act of caring for one another with food.

By the time March 19th rolled around — the world being as it was — I decided to offer up loaves of focaccia on Instagram, providing contactless drop-offs and pick-ups. The act of making the bread gave me a sense of predictability I was missing sorely, while also being therapeutic from a tactile and sensory perspective. And for those that eat it, I hope, it gave them a few moments of joyful relief.

The video is from a correspondence project started by a fellow filmmaker, Suzanne Friesen. She created one video and addressed it to another artist, inviting them to create something inspired by it for another artist. Collectively all the videos were posted on IGTV.

This film is in response to Alysha Seriani and addressed to Nisha Platzer.

Victoria Furuya is a freelance filmmaker and artist, living and working in Vancouver, with a focus towards exploring aspects of her family history through various media. She is currently developing a documentary about intergenerational trauma stemming from the internment of her Japanese family members.

Melanie Evelyn

Melanie Evelyn is a multidisciplinary artist living and working on Coast Salish land, in Vancouver, BC. Since graduating from Emily Carr University of Art + Design in 2017, Melanie has been developing her artistic practice and exploring her relationship to community. Although Melanie’s practice spans many disciplines, her work focuses primarily on exploring and uplifting themes of youth and girlhood. Her photographs serve to document and elevate intimate relationships with friends, family, and lovers, while her painted and mixed media work presents the viewer with fantasy worlds based on childhood mythologies, magic, and ways of seeing.

matthew wong

As a small child I enjoyed catching bugs in the backyard during the warm and sunny days. Occasionally while I’m at home some bugs fly into my apartment. In an effort to get them back outside I’ve been able to put my long forgotten skills back into action.

Matthew Wong is a photographer based in Vancouver, Canada. He holds a BFA in Photography from Emily Carr University of Art + Design. His photographic practice is informed by a critical approach to the way that we create and consume images and media, and his goal is to strike a balance between affect and intellectual response on various social issues. Wong is interested in new forms of documentary practice while bearing in mind materiality, modes of production and performance.

joni cheung

Joni Cheung is a grateful, uninvited guest on the unceded territories of the xʷməθkwəy̓əm, Skwxwú7mesh, Stó:lō, Səl̓ílwətaʔ/Selilwitulh, and Kanien’kehá:ka peoples. She is currently working towards her Masters of Fine Arts in Sculpture and Ceramics at Concordia University and holds a Bachelor of Fine Arts with Distinction in Visual Art (2018) from the School for the Contemporary Arts at Simon Fraser University. She has exhibited and curated shows at Centre A: the Vancouver International Centre for Contemporary Asian Art, Vancouver; the Capture Photography Festival in both 2017 and 2018; the Audain Gallery, Vancouver; and has been featured in CBC Arts; LotusLand; Canada Line Transit BC Public Art Program; and the Vancouver Art Book Fair, among other spaces and platforms.

Contributing artists: Alex Gibson, Alexandra Box, Amber Pb, Astrid C. Johansen, Avery Hannig, Brenda Wisniowski, Brigitte Patenaude, Daryn Wright, Diana Hanitzsch, Doenja Oogjes, Eric Tkaczyk, Gloria Avgust, Hanshu Ma, Jane Cheng, John Padrino, Joni Cheung, Kai Choufour, Laura Lindsey, Leslie Leong, Liam Johnstone, M.E. Sparks, Madeleine Keen, Marika Vandekraats, Matthew Wong, Matthis Grunksy, Melanie Evelyn, Meichen Waxer, Nellie Stark, Nick Morrison, Nicole Caspillio, Nina Sarnelle, Shyra DeSouza, Simon Bermeo-Ehmann, Stephanie Gagne, Trish Malcomess, Victoria Furuya, Yifan Jiang, Yujin Kim, Quintin Teszeri

Resources:

1. Donna Haraway, “A Cyborg Manifesto,” originally published in the Socialist Review in 1985.

Bartholomew, Sophia. “Online Exhibitions and the Long Game of History.” BlackFlash Magazine, 1 Apr. 2020, blackflash.ca/2020/03/26/online-exhibitions-and-the-long-game-of-history/.

Petrešin-Bachelez, Nataša. “For Slow Institutions.” e-Flux, Oct. 2017, www.e-flux.com/journal/85/155520/for-slow-institutions/.